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The Savage Critic: August 6th 2003
By Brian Hibbs

Welcome back, my friends, to the show that never ends.

Just a reminder: if you missed last week’s Critic (The one for comics from 7/27/03), because I was very very very late in writing it, it can be found here.

Also, now that I’m back to being “on-time” again, let me remind you that there’s worse things that you could do than hitting the PaPal link on the page and throwing a couple o’ bucks our way. At San Diego a BUNCH of you came up to me and said how much you like this column... and, to a man, not a one of you have thrown me a bone. *cry*

I have all kinds of fascinating things I could tell you this week, but since I need a vacation from being on vacation and am so far behind on schedule in just about everything in my life and since Tzipora and I are leaving the house in 2 hours to go shop for baby stuff (it’s getting close!), I won’t....

ACTION COMICS #806: “Abrakadizzle”? Abraka-ficking-dizzle? Somewhere Bob Haney is having a good laugh, Daddy-O. Do I have to say it again? Old white guys trying to write “hep” (or “street” in this case) is really really really incredibly sad. Also: Girl 13 is a lame character, no two ways about it, and lame characters taking starring roles is one of the reasons I’ve been lucky, lately, to sell one single copy of any Super book from off the racks. Our subs haven’t changed much, but rack sales are nil or close to it. This shit is wack, yo; or, in Criticese: Awful.

ALIAS #25: Even more twisted and fucked up than I imagined it was going to be. While Spider-Man or Daredevil will always sell better, I really think that this is probably Bendis’ best Marvel work. I especially liked the switch over to Bagely and how the made the flashbacks seem even 10 times more creepier. This is Excellent work

ARKHAM ASYLUM LIVING HELL #4: It’s well done, yes, but you can’t tell me this isn’t padded, through-and-through. I really think this would have worked better as the backup in Detective than as a plodding along mini-series like this. A very strong OK, but it’s just OK nonetheless

AUTHORITY VOL 2 #4: Phoned in. There’s no suspense, there’s no passion, there’s no drama – it’s just cardboard versions of characters we once liked. Each issue has gotten worse and more cynical, and I’m done with this as of now. Awful.

BAD GIRLS #1: A weirdly flawed piece that, despite those flaws, I really liked quite a bit. The high concept is excellent (The power-clique of snooty high school girls get super-powers) but there are clumsy things about the execution (They all drink from the same water bottle, *and* finish it completely?); the art (by Jennifer Graves) is superb, while the color is far too muted and flat to make the art pop. On the balance I’ll give this a Good, but that’s me being a smidge charitable.

BATMAN DEATH AND THE MAIDENS #1: It may just be me, but given the intentions and scope of this story, it probably would have been better to slot it into Batman or Detective rather than making it a stand-alone mini. We’ve got 8 more issues to see if it fulfills it’s promises, but this was a great start to the story, and I’m eager to see more. Very Good.

CASEFILES SAM & TWITCH #2: Interesting creative choice to have this be a three-tier story – not 100% sure it worked, but I liked the experiment. A strong OK

CEREBUS #292: I’d recommend this just for the rain effects in the background of page 11 alone. You may not like his material, or his politics, I understand this, but you can’t tell me that Dave Sim isn’t one of the greatest cartoonists this industry has ever produced. You just can’t. Very Good.

DARK DAYS #2 30 DAYS OF NIGHTSEQUEL: Lost me at the plot-hammering “aw, let’s just let her go” from the cops. That’s much less believable than vampires, man! Eh

DETECTIVE COMICS #785: Brubaker is really on his game here. This is very good stuff. The issue as a whole is marred by the backup story though. The Gotham dogcatcher? Who in editorial thinks THIS is compelling? Avergae taken down to a Good

DOCTOR FATE #1: There are a couple of characters who sound a lot better on paper than they read as protagonists of their own. That’s not to say that just the perfect creative team can’t find a good twist and sustain a year or three worth of stories, but I really do think that the publishers should try and realize that Fate here, or the Phantom Stranger, or Namor or well, fill in your own name here, are just supporting characters and should be left as that. Also, while I’m agreeing with Jeff Lester’s Theorem that Comic Book Magic is the least compelling dramatic device, ever – since there are no rules, where is the peril? – I think the real problem with Fate is that he’s no longer a creepy-ass bastard. I think the “original” concept of Kent and Inza living in their doorless, windowless tower, sealed off from the rest of the world, eternal, and, quite possibly insane beyond measure, only venturing out when the ancient god (or possibly demon – for most of the people I know dedicated to Order at all costs are more demonic than the Chaos-based ones) who lives within the helmet whispers to them and forces it’s personality to over-write theirs.... well, that’s a concept. What’s going on here is much less compelling. Still, I’ll give props for two things: the page with the Phantom Stranger was nice, and that Paul Rivoche cover was super-tops. Fate-by-way-of-Kirby. Otherwise, this gets a big yawning Eh

ELEKTRA #26: See, two issues ago she was super-Ninja, and now she’s acting like this is her first job. Meh

ETERNAL #3: I....you....it.... *shakes head and walks away, sadly* Awful

FACTION PARADOX #1: Hrm. Interesting SF set-up, with what looks to be a very rich and thought-out background – not sure if I care for/about the execution of the concepts, though. Willing to give it a couple of issues to confirm or deny, though. A tentative Good.

FEATHER #1: What happened to everyone’s noses? There’s more than a few charming moments in here – but ultimately I just don’t care about the no-noses or their world. Eh.

FORMERLY KNOWN AS THE JUSTICE LEAGUE #2: No gut-busting laughs, but it’s fun enough. A high OK

HAWKMAN #18: I think my problem with this book is that, instead of being about a guy who dresses like a bird and kicks ass with medieval weaponry, it’s now about flashbacks and angst over previous lives. The latter probably gives you more story hooks (in fact, I know it does), but it sure doesn’t interest me much as a reader. OK

HEDGE KNIGHT #1: Strong adaptation of the George RR Martin short story. Very Good.

JOSS WHEDONS FRAY #8: Three years later.... Actually, y’know what the strangest thing is? We 100% sold out of this in less than half a day, despite keeping my order steady from #7, which sold maybe 60%. I’ll never understand people. Still, everyone buying it had the right idea – this is top notch shit. Excellent.

JSA ALL STARS #4: Another sales oddity: we’re selling more of this than “regular” JSA. Which is even weirder because they’re one shots without any forward-moving arc. I don’t care about Courtney, I’m sorry to say – she just doesn’t seem like that distinct of a character. On the other hand, the Robinson/Harris backup Ted Knight story was aces. So, a solid Good all around.

JUSTICE LEAGUE ADVENTURES #22: Did I ever mention the Super-Friends DVDs? Man, you HAVE to check them out. Whatever you remember from watching them on 70s Saturday morning TV is wrong – that shit is fully mental, with absurd high-concept plots written by people who are very very very high on premium shit. Jeff has to bring my DVD back, in fact.... Anyway, this comic could use more highness. Eh.

NEW X-MEN #144: Better than the last part, but still the weakest arc of NX yet. Here’s hoping it has a clever conclusion. OK

SENTINEL #5: You know what would be really funny? If after building up this warm, funny, human soap-opera style story that next issue the kid goes nuts and has the robot kill everyone in the high school before having to go on the run. OK

STRANGERS IN PARADISE VOL III #59: That cover scared me. So did the insides, really. OK

SUPERMAN BATMAN #1: I still think it’s a shitty title (What’s wrong with “World’s Finest” anyway?), but this was pretty top notch stuff I thought. I really liked the origin recaps, especially, and the art is insanely nice looking. Very Good.

SUPERMAN BIRTHRIGHT #2: I liked it better than #1, but I still would have, I think, started the story with next issue; I also found the retro-Smallville-ing of Lex to be just a little awkward. A high OK

SUPREME POWER #1: Liked this a lot. I would have ended the issue two pages earlier (the lack of drama of the Flash kid so far just sucked the air out of the issue), but other than that, I really really liked it, and I think it’ll have long-term legs. Excellent.

THOR #67: Curiously, here we have a story that *is* “changing the Marvel Universe, forever”, in such a way I don’t think they’ll be able to get the toys back inside the box, and it’s being steadfastly ignored. Probably because there have been something like 4 different artists over the last few months, or maybe because of the $2.99 cover price... or maybe because the execution is less exciting than you might hope. But, yep, Thor’s going nuts, and looks to be ready to destroy/take over the world. Eh

TONY MILLIONAIRE SOCK MONKEY #2: While the rampage scenes were amusing, this didn’t have the melancholy punch of the last issue. OK

ULTIMATE SPIDER-MAN #44: Nothing much to say except: Very Good (as usual)

UNCANNY X-MEN #429: Kurt actually being a demon undercuts the character so deeply I can not begin to say. The X-Men have begun to disappear back up their own ass as a franchise. Awful

VERTIGO POP BANGKOK #4: Excellent all-gray ending to this mini. This was the one of the three that actually had something to SAY... which is probably why it sold the worst. Go figure. I really liked this, though: Very Good.

X-MEN PHOENIX #3: Answering the age-old question: “how little can a girl wear and not be considered nude?” If you bought this, you’re a sick pervert. I wanted to brillo pad my eyes just after leafing through it for this “review”. Awful.

X-TREME X-MEN #29: If only the extraneous fight scenes and the corporate desire to pad out storylines so they fit neatly into 6-issue paperbacks weren’t here – this could have been Claremont’s best story in a decade or more. Well, even with that, it probably is... just not as good as it could have been. This issue: Eh

For Sake of Completeness, here’s a list of all of the OTHER comics that CE got in this week, that I did NOT read (and, therefore, am unlikely to review!). Note, that in most cases this is limited to 1) Manga, which I try to read as it is collected; 2) “Kids” comics like most of the Archies; 3) titles that were subs-only, either by design or accident [this can include being shorted by Diamond as well]; 4) Porno [oh, like you need me to REVIEW it!], 5) Things that looked SO bad on the racks that I didn’t bother, and 6) stuff that I’ve assessed before, and I care so little about that I don’t want to waste my time reading anymore. You decide which is which. There’s also the occasional “whoops we forgot it!” in here as well...

AGENTS #4
ARCHIE MYSTERIES #30
ARTESIA AFIRE #3 
AUTHORITY VOL 2 #0
BATMAN NEVERMORE #5
BETTY & VERONICA #191
EXTINCTION EVENT #2
HARLEY QUINN #35
INVINCIBLE ED #1 THE BEATING OF ED 
INVINCIBLE ED #2 IM TOO SEXY 
JUGHEAD #153
LAUGHTER OF THE DAMNED #3
LOONEY TUNES #105
MAD COLOR SPECIAL #8
MAD MAGAZINE #433
MARQUIS SIN OF ONE #1
MARVEL MUST HAVES ULTIMATE X-MEN 34-35
NEOTOPIA VOL 2 #1
ONE BLOODY YEAR FALL
ROBOTECH LOVE AND WAR #3
SCOOBY DOO DOLLAR COMIC
SHONEN JUMP VOL 1 #9 SEP 2003
SONIC THE HEDGEHOG #126
SPAWN #127
SPIDER-GIRL #63
TERRY MOORES
PARADISE TOO #14
THUNDERCATS DOGS OF WAR #2

And, for even MORE completeness sake, here’s a list of books, TPBs, GNs, magazines, and other things that CE got this week. I generally haven’t read any of this by the time I post these reviews. Though I generally attempt to give at least one recommendation amongst the TPBs each week, since I HAVE read the material at SOME point.

AKIKO VOL 6 TP
AL WILLIAMSON ADVENTURES HC
ANIMATION MAGAZINE SEP 2003
ANIMERICA AUGUST 2003 VOL 11 #8
ARTESIA VOL 2 ARTESIA AFIELD TP
ASIAN CULT CINEMA #40
ASTRO BOY VOL 17 TP
BATMAN ALIENS II TP
BATMAN THE CULT TP NEW PTG
CANNON GOD EXAXXION STAGE 2 TP 
CHOBITS VOL 7 GN
COMIC BOOK ARTIST VOL 2 #1
COUNTDOWN TO WEDNESDAY INSIDELOOK AT THE COMIC BIZ DVD
DAWN COMEDY AND TRAGEDY WALL SCROLL #3
DIARY OF MOLLY FREDRICKSON VOL 1 GN PEANUT BUTTER (A)
FADE TRADE VOL 1 FADE FROM BLUE
HEAVY METAL ALFONSO AZPIRI WET DREAMS HC #2
HUMAN TARGET FINAL CUT SC
IN A METAL WEB GN VOL 2 (A)
KOMIKWERKS VOL 1 TP
KRAMERS ERGOT VOL 4 TP
LEES TOY REVIEW AUG 2003
LOVE HINA VOL 13 GN
LUIS ROYO VISIONS SC
SQUADRON SUPREME TP
STAR WARS A LONG TIME AGO VOL7 TP FAR FAR AWAY
TITANS YOUNG JUSTICE GRADUATION DAY COMPENDIUM
TOO MUCH COFFEE MAN MAGAZINE #18
ULTIMATE MARVEL TEAM UP VOL 3TP
VIDEO WATCHDOG #98
WILL EISNERS SPIRIT ARCHIVES VOL 11 HC

This Week’s TP recommendation is:  I suspect reissues of older TPs shouldn’t be allowed as the winner, but I don’t care – the best TP of the week is Squadron Supreme. Ahead of it’s time, this is Mark Gruenwald’s masterpiece, and it should be on your bookshelf.

Pick of the Week:  I’m also going to go with Squadron Supreme (Supreme Power #1) – JMS and Gary Frank has a great beginning here. Alias #25 was also really top-notch, and it was a close call between them.

Pick of the Weak:  It’s pretty much a three-way race: the phoned in Authority #4, the nasty and distasteful Eternal #3, and, the ultimate winner: Sad Old White Guys Thinking They Street of Action #806, yo.

 


  All Material on this page: © 2001-2005 by Comix Experience (except the graphic, which was appropriated from Tales of Suspense #21,
and is probably © Marvel Comics).  Reproduction without permission is expressly forbidden.